Dancing in Santa Fe

I went to a 5 Rhythms movement lab in Santa Fe, where I am on vacation, the other night. Chloe Goodwin facilitated. The space was extraordinarily beautiful, the music inspiring, and I quickly saw a range of more and less experienced dancers among the 20 or so people present.

It felt so great to be back in a dance studio. I’m accustomed to dancing once or twice (very occasionally, 3 or 4 times) a week in Austin, but it wasn’t available in Taos that I could find when I was there last week. I’ve been driving a lot. My body felt sluggish and stiff. Yoga classes have been helpful and also a nice way to meet people who share this interest when traveling, but even more than yoga, ecstatic dance in a studio allows me the freedom to let my body show me how it wants and needs to move to restore well-being.

So we danced freely in the space for a while. I felt shy at first, not knowing anyone (they all knew each other), so I just paid attention to what my body wanted. So good. Then I shyly began to make eye contact with a few people and danced with various partners.

Chloe introduced experiences of body parts: hands, elbows, knees, feet, hips, head, and more. Yes. I’m sure she was watching and seeing how people unconsciously restrict themselves. Yes, your head is a body part, and it can dance too, and it’s really good for your circulation and neck flexibility to move it. Instead of focusing your eyes, use your peripheral vision.

Then Chloe pointed out the blue masking tape on the floor, which created four spaces for dancing, which she described thusly: the outer edges of the room were reserved for people who just wanted to do their own dance by themselves. Coming in toward the center a bit was a space for dancing with a partner. The inner circle was for dancing in community, and the X in the center was for surveying, and dancing with, the entire room.

I danced in all the spaces. I love dancing alone, sometimes with my eyes closed to intensify my auditory/kinesthetic synesthesia and to be one with the music/my body/the space around me. I don’t care what it looks like. There’s a joy and freedom there for me that I recognize may be alien to others.

I had an especially wonderful and vigorous dance with a male partner, meeting and sweetly challenging each other over and over again. Yay!

Moving into the community circle, something interesting happened: Dancing in community, without a partner but in close proximity with other dancers, can be just like dancing alone at the outer edge. It doesn’t have to be, but on Tuesday night, it often was.

We noticed this after the dance ended, when we were standing in a closing circle.

Toward the end of the evening, when I was in the community circle for the third or fourth time, I noticed I was feeling tired, slowing down. I had already danced vigorously for an hour and a half, and I’m not a late night person — my batteries were running down.

I noticed that when I’m fatigued, I just want to dance alone, to wind down, to care for myself in vulnerability. I could have moved to the outer circle, but I didn’t. Maybe I was just too tired to think of doing that. That was a choice that perhaps I could make differently, next time.

I love the name Movement Lab. I’ve long considered ecstatic dance to be my own personal experimental movement lab. Movement, people, space, music, life. Play with it, learn from it, I be me, you be you, we be us.

Morning download, 2.22.19

Yesterday was rough. A dear friend for over 20 years was in the hospital having breast cancer surgery with preparation for reconstruction. We’d had ceremony Wednesday night for support, a gathering of friends to hold her and another friend with a serious health issue in our big collective heart as we move through this difficult part of the journey, walking each other home.

I shared part of that ceremony with three other women, and we laughed a lot. Fishermen’s Friend does that to people. May our laughter contribute to the healing of all.

Dear goddess, bless you for the gift of levity in the face of the unknown.

The surgery was longer than expected — 9 hours. Pauline’s older sister Marie was there at the hospital with her, and I was Marie’s contact person to post progress in the ceremony’s Facebook event for all to see.

Surgery started at 8. By 10:30 am, Marie shared that the sentinel lymph node that was removed and examined was cancer free. Good news. Marie said the surgeons expected her to go to the recovery room about 3-4 pm.

At 5 pm, I’d heard nothing and contacted Marie. Marie texted that Pauline was in recovery but she (Marie) was still waiting for the doctors to come talk to her.

And then, finally, the news came that both surgeons were pleased with the outcome. Whew.

I also did some deep digging and writing yesterday morning to a friend on something he’d challenged me to examine. I love doing that kind of self-examining work, and I needed time to let it cook into coherence.

It takes attention to go within so deeply. I went back to a time when my legs went out from under me, the beginning of not wanting to be here, having learned very young of the existence of unspeakable cruelty in a very personal way. Wrote it, sent it, went out to meet the day.

After my morning obligations were met — and my networking group laughed a lot — again, thank you, dear goddess — I came home and crashed. I needed my own space and stillness to let my earlier self-examination continue to unwind its gifts and flow through me with attentive care.

I lay in a heap of exhausted sorrow and realized this happens when I go there. It depletes me to remember. This is why I don’t do it often and not just for anybody. It’s always for me, really. I could have said no, but I was curious about where my behavior was coming from too.

I cried. My tears felt good and tasted salty.

I didn’t get stuck with the raw bleeding heart sensation. It was there but wasn’t as intense. It’s open and tender today, a bit achy.

It’s vulnerable, revisiting a trauma. Sometimes the truth — or a truth, because when the spiral comes back around, truth will be different, with different insights — is hard fucking won.

I learned something valuable about myself, that I need to push, and sometimes I push against others, and it’s probably not very pleasant to receive. I come across as blaming and misunderstanding, rightly so, on a superficial level. I grasp at an excuse to push. And really, it’s an indicator that I need to set a healthy boundary and perhaps offer a challenge myself.

Where does this behavior come from? I push to get out of the box, the box of being violated, disrespected, dishonored, crushed, silenced, dominated, overpowered, overlooked, robbed of my agency, minimized, underestimated, isolated.

I push to make space for me, to stand on my feet, connected to heaven and earth with the horizontal embrace of humanity as well, life force flowing through me freely.

I am a troubled person too sometimes, and I’m working on it. I’m trying to think of a name for the troubled part of me, because I can, much of the time, come from a healthy place, and when this troubled part comes out, I’m usually aware of it but sometimes not, and I need others to help me see it so I can do my healing work.

I’m learning toward Harriet, because I don’t know anyone named Harriet. “I’m wondering if Harriet would like to say something.” “Hi, Harriet. What are you experiencing now?” “Harriet, what do you need?”

Do you have any other suggestions for a name?

Eventually my energy moved toward equilibrium, and to cheer myself up, I remembered my favorite cartoon, What’s Opera, Doc? I must have watched it half a dozen times. Elmer and Bugs sing Wagner. Elmer is pretty funny, but Bugs is my cartoon hero. He’s brash, witty, unpredictable, a wisecracking carrot-eating trickster — and oh, yeah, he’s Jewish.

Third time: thank you, goddess and Chuck Jones, for the gift of levity.

Then the good news about my dear friend’s surgery.

Feeling so much appreciation for my offspring, my sistren and my brethren, for the ability to process and learn, to dive for a fish and come back up with one in my hands. Today, it’s all good.