Meet the Tibetan monk whose brain was studied by scientists

You’ve probably heard that there are some Tibetan monks who have been studied by scientists, who have learned which brain centers are activated during meditation. Well, here’s an article that goes into depth about the types of meditation studied .

It tells the story of one monk (western-born, with 30 years of experience as a Tibetan Buddhist monk) who was studied by scientists extensively using fMRI and EEG and testing his ability to read fleeting facial emotions and to stifle his own startle reflex.

Read the whole article (by Daniel Goleman!) for a fascinating story.

[Note: This link no longer works. Try this link to read more about it.]

I liked that the article described the types of meditation that were studied. It made me want to be more specific in my own meditation. I usually practice (or attempt to practice) what’s called “the open state”. It’s more Zen.

Tibetan Buddhism may well offer the widest menu of meditation methods of any contemplative tradition, and it was from this rich offering that the team in Madison began to choose what to study. The initial suggestions from the research team were for three meditative states: a visualization, one-pointed concentration and generating compassion. The three methods involved distinct enough mental strategies that the team was fairly sure they would reveal different underlying configurations of brain activity. Indeed, Öser was able to give precise descriptions of each.

One of the methods chosen, one-pointedness—a fully focused concentration on a single object of attention—may be the most basic and universal of all practices, found in one form or another in every spiritual tradition that employs meditation. Focusing on one point requires letting go of the ten thousand other thoughts and desires that flit through the mind as distractions; as the Danish philosopher Kierkegaard put it, “Purity of heart is to want one thing only.”

In the Tibetan system (as in many others) cultivating concentration is a beginner’s method, a prerequisite for moving on to more intricate approaches. In a sense, concentration is the most generic form of mind training, with many non-spiritual applications as well. Indeed, for this test, Öser simply picked a spot (a small bolt above him on the MRI, it turned out) to focus his gaze on, and held it there, bringing his focus back whenever his mind wandered off.

Öser proposed three more approaches that he thought would usefully expand the data yield: meditations on devotion and on fearlessness, and what he called the “open state.” The last refers to a thought-free wakefulness where the mind, as Öser described it, “is open, vast and aware, with no intentional mental activity. The mind is not focused on anything, yet totally present—not in a focused way, just very open and undistracted. Thoughts may start to arise weakly, but they don’t chain into longer thoughts—they just fade away.”

Perhaps as intriguing was Öser’s explanation of the meditation on fearlessness, which involves “bringing to mind a fearless certainty, a deep confidence that nothing can unsettle—decisive and firm, without hesitating, where you’re not averse to anything. You enter into a state where you feel, no matter what happens, ‘I have nothing to gain, nothing to lose.’”

Focusing on his teachers plays a key role in the meditation on devotion, he said, in which he holds in mind a deep appreciation of and gratitude toward his teachers and, most especially, the spiritual qualities they embody. That strategy also operates in the meditation on compassion, with his teachers’ kindness offering a model.

The final meditation technique, visualization, entailed constructing in the mind’s eye an image of the elaborately intricate details of a Tibetan Buddhist deity. As Öser described the process, “You start with the details and build the whole picture from top to bottom. Ideally, you should be able to keep in mind a clear and complete picture.” As those familiar with Tibetan thangkas (the wall hangings that depict such deities) will know, such images are highly complex patterns.

Öser confidently assumed that each of these six meditation practices should show distinct brain configurations. The scientists have seen clear distinctions in cognitive activity between, say, visualization and one-pointedness. But the meditations on compassion, devotion and fearlessness have not seemed that different in the mental processes involved, though they differ clearly in content. From a scientific point of view, if Öser could demonstrate sharp, consistent brain signatures for any of these meditative states, it would be a first.

Click the link above to find out what the scientists learned from this monk’s brain.

Losing 155 Pounds: It’s Not About the Food

I want to share Katie Raver’s blog post about how she lost 155+ pounds in less than 2 years. Katie did some things differently than most people do who want to lose a lot of weight.

  • She sought out real people who had lost over 100 pounds and kept it off for 10 years or more and asked how they did it. She found a very few people who met those criteria and discovered that their methods were similar. She realized that no matter how weird or extreme their methods seemed, if it worked for them, it would work for her.
  • She decided to follow an eating plan that kept her from having to make a lot of decisions about what, when, and how much to eat. Before, she had a lot of inner turmoil about making food decisions. After, she just followed the rules because they work and produce results.
  • She had a compelling personal goal that was greater than (and not directly related to) health or weight that motivated her.

Check out the whole post here: Losing 155 Pounds: It’s Not About the Food.

“The 5 rhythms are a contemporary shamanic Zen practice” ~ Gabrielle Roth

Okay, so science has recently showed us that dancers have genes for transcendence and social connection. (And if you don’t dance, maybe you have these genes too and don’t know it yet. And consider this: if stress turns on the bad genes, maybe the opposite of stress — joy? contentment? — turns on the good genes! Just sayin’….)

In this interview, Gabrielle Roth explains the connection between ecstatic dance, Zen, and shamanic practices.

The 5Rhythms are a contemporary Zen, Shamanic practice. Zen, in that they are a map to an inner journey for seekers of wisdom and freedom, the wisdom to know who we are and the freedom to get over ourselves. Shamanic, in that they address the Great Divide, the divorce of spirit from flesh that has created the loss of soul, which haunts us. We’ve rendered the soul homeless, it can’t breathe, exist, or move disconnected from the body. The body is the womb of the soul, a begging bowl for spirit, like Aretha when she sings….

The fastest way to still the mind is to move the body. All the profound spiritual teachings in this world don’t mean anything if they’re not embodied. Feeling totally high and connected to the divine mystery while sitting on a meditation pillow is fine, but how do we put the rubber to the road? As Charlie Parker said, If you don’t live it, it won’t come out your horn. So I take refuge in the 5Rhythms practice to keep my horn in tune.

There are videos of Gabrielle as well on the site. Check ’em out!

Massage: Paying someone to meditate you?

Maybe that’s what massage is to a lot of people, those who don’t have chronic pain or migraines — it’s enforced meditation for those of us too distracted to meditate. You’re paying someone to meditate you. It’s not anything they’re doing, necessarily. It’s that they open a little window. They give you an excuse to lie there in silence and pay a deeper attention to the fact that you exist. The true value of shamanism may be a concealed one, that it holds us in place and says this.

via My Multiday Massage-a-Thon – NYTimes.com.

I admit it. I give massage, and I love helping people move into a state of deep, quiet relaxation. It affects me. Even though I’m being active, I participate.

Massage is something I’m doing (working your circulatory and lymphatic systems, shifting your nervous system from sympathetic to parasympathetic, calming your brain waves, working knots out of your muscles, loosening you out of your ordinary tension and patterns, touching your flesh with care), and you’re doing. Your part of the experience is you deciding to take time out of your busy life to be present and receive nurturing.

Here’s my experience: I meditate, and I receive massage. When I meditate, I relax my body, breath, and mind, but on my own, I cannot relax as deeply as I can with massage. At least so far I have not been able to do that. I can’t say it’s impossible.

Meditation is a different experience, one I think of as “presence practice”. Relaxation helps but is not an end in itself (usually, unless I’ve been especially agitated). There’s a discipline to meditation: witnessing the mind, inquiring into the nature of reality and identity. I’ve also experienced joy and bliss.

Massage jumpstarts physical and mental relaxation. There’s something about the touch of nurturing hands and surrendering to another person. In my massage training, I learned that there are specific places on the body that when massaged, activate the parasympathetic nervous system, which is the non-“fight-or-flight” nervous system, the one for rest and relaxation. I use that knowledge in massage to help people get out of their heads and into their wholeness more quickly.

The deepest prolonged relaxation states I have experienced so far were through bodywork. I experienced being relaxed so deeply that I skimmed just this side of being asleep for half an hour or more.

One was during a cranio-sacral therapy session that involved the locus ceruleus, a blue spot in the back of the brain.

The other was receiving esoteric acupuncture. Afterwards, I was told that if I had not already been a meditator, I would not have experienced such a deep state.

Both experiences, receiving massage and meditating, have to do with surrender and relaxation and presence. As I understand it, each creates neural pathways that make it easier.

Doing both likely hastens and deepens well-being. `

In remembrance of Gabrielle Roth: freedom is our holy work

One of the significant teachers in my life died yesterday, and I’ve struggled with writing about it. I find myself getting too heady, and yet this loss is actually so profound that when I took a nap yesterday, I dreamed I was balancing upside down on my head on a dance floor, surrounded by lively, active children.

When I woke, I could feel the pressure on the crown of my head.

Headstand is definitely about changing perspective.

I stumbled into ecstatic dance 18 years ago, first encountering the 5 rhythms of Gabrielle Roth and Sweat Your Prayers after I left church as something I could no longer take part in with integrity.

I found a tribe, a practice, and a way of experiencing myself and the world as energy.

I’m not sure, but I suspect that the latter is the change in perspective that I’m integrating with this shock of loss and review of Gabrielle’s influence on my life, that it’s all just energy all the time, and it’s always changing, always dancing. The best I can ever do is to be centered, grounded, embodied, and ready to meet it. What’s solid is awareness.

I’ve had issues and struggles at times with that tribe, practice, and worldview, and they have deeply shaped me. I keep coming back.

Here’s what ecstatic dance is to me: being free, feeling joy, being embodied, clearing, cleansing, breathing, sweating, extending myself, being aware, taking care of my body, pushing to my edge and beyond, being in the moment, sharing, delighting, inquiring, discovering, connecting, having compassion, being inspired, seeing, allowing, playing, surrendering, breaking myself open, feeling what comes up, being danced, letting go, grieving, dancing with other versions of me, dancing with the entire room including the space, letting life and everything flow through me, being totally and completely alive, being fully present, blowing all the blocks out of my energy channels.

I feel so grateful to have found this and that I am able to do this.

Thank you, Gabrielle Roth, for your life’s work. Thank you, dancing tribe.

Here’s Gabrielle in her own words.

I became a mapmaker for others to follow, but not in my footsteps, in their own. Many of us are looking for a beat, something solid and rooted where we can take refuge and begin to explore the fluidity of being alive, to investigate why we often feel stuck, numb, spaced-out, tense, inert, and unable to stand up or sit down or unscramble the screens that reflect our collective insanity.

The question I ask myself and everyone else is, “Do you have the discipline to be a free spirit?” Can we be free of all that binds and bends us into a shape of consciousness that has nothing to do with who we are from moment to moment, from breath to breath?

Dance is the fastest, most direct route to the truth — not some big truth that belongs to everybody, but the get down and personal kind, the what’s-happening-in-me-right-now kind of truth. We dance to reclaim our brilliant ability to disappear in something bigger, something safe, a space without a critic or a judge or an analyst.

Sunday morning: a little trauma release, a fine buzz, then some yoga jazz, and a tribute to a teacher

Long-time readers know I spent some time and energy on learning the trauma releasing exercises of David Berceli and practicing them. (If you’re a new reader, you can search this blog for TRE or trauma releasing exercises or Berceli to see my many posts on the topic.

If you want to learn them, I recommend Berceli’s book and video.)

I haven’t written much about them for a while. I still value them very much as a tool for releasing tension.

Sometimes at ecstatic dance, I allow my legs to shake. Nobody notices or comments, ever.

Some mornings I wake up and just know I need to do them. I may tremble for 30 seconds to a minute or two. It doesn’t have to last long to be effective.

I imagine that the more you do them and really surrender to them, the less you need to do them. Also, the more you do them, the more aware you become of tensions accumulating in your body, and you adjust sooner — taking a deep, cleansing breath to let it all out, stretching and moving the tense area.

This morning I did them for longer, because my body wanted to keep going. First my legs surrendered to the shaking, then left my arm flapped, then right my arm flapped, then my lower spine hammered, then my upper spine waved, then more legs, and so on. It’s entertaining to witness where the surrendering moves!

Then afterward, the fine buzz inhabiting my body. Mmm. Chi. Prana. Energy.

Walk to my yoga mat. Tadasana, feeling feet, upward energy. Stretching arms up into hastasana circling to anjali mudra several times to warm shoulders up, each with my gaze a little higher, a little more backbend to stretch the front fascial lines.

Then from hips, float down into uttanasana and just hang, stretching the back fascial lines. Feel my tight hamstrings. Hold. Breathe. They become like rubber bands, surrendering to the stretch. Then extend spine and re-bow.

Left leg back into lunge. Feeling the tight gastrocnemius and soleus. Push heel back and breathe. Right leg back to join it. Breathe length into calves.

Plank, with spread fingers, sturdy column arms under shoulders. Feel strength. Pressing palms and fingers evenly into mat, slowly lowering into chataranga, feeling creaks and twinges in shoulders and elbows.

Once flat, press pelvis and tops of feet into floor and lift up into bhujangasana, cobra. Imagine the fronts of my vertebrae, deep in the middle of my torso, fanning wide open to give and receive and expand my energy. This spine, this flexible column of bone, fluids, muscle, nerve, dura, this central channel, this backbone. Yes.

Turn toes under. Strongly lift my body up, elevating my pelvis as high as it will go. Push palms and fingers evenly into floor. Push heels back to stretch my soles (I’m hearing my teacher Eleanor Harris now). Lift sit bones to ceiling. Rise on tiptoes, then settle on feet, allowing spine to surrender to gravity between cranium and sacrum. Feel strong shoulders. Downward-facing dog, adho mukha svanasana.

“Enjoy your breath,” as my teacher Brigitte Edery is fond of saying. And I do.

Then bring right leg forward into lunge. Then today’s standing sequence, a vinyasa within a vinyasa: warrior two, extended side angle, reverse extended side angle, triangle, reverse triangle, ardha chandrasana, warrior one, warrior three. Nice standing vinyasa (with room for improvement in the sequencing, I notice), and I am aware of all the different stretches each pose brings where spine meets pelvis meets thighs.

I am pleased with my balance in ardha chandrasana, but I need to put my extended arms on the top of a stool to hold warrior three. There’s always an edge. Today, and probably for a few weeks (or months, who knows?), that’s mine — balancing in warrior three.

Then back to lunge, uttanasana (notice how much deeper my fold is), extending spine, and reverse swan dive up, arms circling back down into anjali mudra.

Repeat on other side.

I follow with pigeon, a deep twist (thrilling as my shoulders reached the floor), happy baby, and rock to standing.

I am in my body, ready for today, for ecstatic dance, for community, for work, for learning prenatal massage.

Feeling very grateful for my friends, and for my teacher Gabrielle Roth, whose work I knew better than I knew her personally, who was so influential in opening my awareness up to new movements, rhythms, and energies in life, who is in her own life now moving into stillness. She dedicated her life to healing the mind-body split. Amen to that.

Here’s my favorite Gabrielle quote:

After you jump, before you land is God.

I’m going to light a candle and open myself up to God.

Your body language influences your experience

In yoga, we learn that forward bends are calming (think fetal position, child’s pose), while backbends are stimulating. In a yoga class, after backbends, students usually start chattering!

Imagine holding your body upright in a relaxed manner, with the weight appropriately divided between front and back. Let your shoulders surrender to gravity. Imagine doing this with ease and breathing freely.

This is such a simple point that it’s easy to overlook how easy, and powerful, a tool this is to keep in mind. When you’re depressed, make an effort to sit up, and relax. When you’re excited, make an effort to breathe.

Buddhism: 50% of your State of Mind is dependent on your Posture. | elephant journal

For more on how body language influences experience, here’s a TED Talk on the subject. Amy Cuddy is a researcher at the Harvard Business School who shares some fascinating findings and her own story.

I particularly like “fake it ’til you become it” and “tiny tweaks —> BIG CHANGES.

Plus, two minutes. That’s all. Two minutes is all it takes to change your state.

The dancing genes, sociability, transcendence, and genetic flexibility

A recent article published online says that dancers are genetically different. Some Israeli researchers found that dancers show consistent differences from the general population in two genes.

The researchers said this did not surprise them, because studies have found that athletes and musicians have genetic differences.

I can only speak for myself, but my dance is very connected to music — my movement is a way to participate musically, as if I were playing an instrument. It’s also very physical.

I did a little Googling to see if I could find which specific genes differ in athletes and musicians, but I didn’t find anything that was very clear. Race seems to be the biggest issue in the media when it comes to genetics, athletes, and musicians.

The researchers studied dancers and advanced dance students and found they had variants in two genes, those affecting serotonin transport and arginine vasopressin reception.

Serotonin (“the happiness molecule”) is a neurotransmitter that contributes to spiritual experience — the capacity for transcendence and a proclivity to spiritual acceptance. (See this Psychology Today article for more about that.) It also affects optimism, the healing of wounds, resilience from stress, metabolism, sleep, and more.

“Serotonin transport” sounds like a dance inside the body!

Interestingly, exercise can raise serotonin levels in the body, so dancing itself reinforces dancers’ high serotonin levels!

I admit — I get into an altered state from ecstatic dance. That’s why they call it ecstatic dance, I suspect. 😉

The vasopressin receptor modulates social communication and affiliative bonding. Wikipedia says “…accumulating evidence suggests it plays an important role in social behavior, bonding, and maternal responses to stress.” It has a very similar structure to oxytocin (“the love hormone”), and the two can cross-react.

When the results were combined and analyzed, it was clearly shown that the dancers exhibited particular genetic and personality characteristics that were not found in the other two groups.

The dancer “type,” says Ebstein, clearly demonstrates qualities that are not necessarily lacking but are not expressed as strongly in other people: a heightened sense of communication, often of a symbolic and ceremonial nature, and a strong spiritual personality trait.

I know this is controversial, but I want to weigh in on the side of flexibility when it comes to genetics. For much of my life, genes were thought to be destiny, unalterable. Now it is known that the expression of genes is much more dynamic than previously believed. They can switch on and off.

I don’t know that much about it, except that stress tends to switch on the bad genes. I don’t know which or how many genes truly create destiny and therefore cannot be influenced, except that there probably are some. We just don’t know enough about this in our current level of understanding.

I want to encourage people who believe they don’t have the dancing genes to give dancing a try.

Two left feet? That’s a myth. If you can walk, you have rhythm and coordination.

If you think you can’t dance, try just moving to some music alone in your own home if you feel self-conscious. Play something catchy, like “I Heard It Through the Grapevine.”

Start simple, just swaying your hips to the beat, keeping your feet in place. Do you like it? Do you feel any sense of pleasure? Play with it. Add your arms. Walk to it. Make it fun and goofy!

Those dancing genes may be just sitting there waiting to be activated, for all we know, and they might help you become happier.

An autistic person describes how she learned to think flexibly

Managing My “Inflexible Thinking”.

I found this article by a woman who is a speaker, writer, social worker, mother, and autistic fascinating! She describes how she has adapted to the “NT” (neurotypical) world. She works with her visual thinking style in a fabulously creative way, using layers, to be more flexible in accommodating change, something  that’s difficult for many autistic people to do.

Now she teaches others.

Day 17 of the Work: turning around question 6

There is one last turnaround in Byron Katie’s The Work. This one is sometimes overlooked. Back on Day 1, I filled out the Judge Your Neighbor worksheet. Question 6 asks:

What is it in or about this situation that you don’t ever want to experience again?

I responded:

I don’t ever want to feel so disconnected, frustrated, and helpless about someone I care about [as I did with my father].

Question 6 has its own turnaround, which is:

I am willing to feel as disconnected, frustrated, and helpless about someone I care about [as I did with my father].

I look forward to feeling as disconnected, frustrated, and helpless about someone I care about [as I did with my father].

Whoa. I definitely feel a lot of resistance. Those statements are not true!

So let me inquire more deeply. I’m going to consult my worn, autographed copy of Loving What Is and see what Byron Katie has to say about this turnaround:

This turnaround is about embracing all of life. Saying — and meaning — “I am willing to…” creates openness, creativity, and flexibility. Any resistance you may have is softened, allowing you to lighten up rather than keep hopelessly applying willpower or force to eradicate the situation from your life. Saying and meaning “I look forward to…” actively opens you to life as it unfolds.

It’s all there in the title of her book, Loving What Is.

So my understanding now is that it is entirely possible in my future that I will again feel as disconnected, frustrated, and helpless about someone as I did with my father. Do I know my future? No. So to resist a possibility in advance is to cut myself off from potential reality. What will happen will happen.

The truth is that if this does happen, I don’t have to respond the way I did in the past. I don’t have to fear it or repress it or even suffer at all. I can embrace whatever feelings arise and do inquiry on them if painful. I can embrace that person.

I can recognize the similarity with my old story about my dad and know this person is not him but could definitely have some similar characteristics (which sooner or later everyone will, because the common denominator is being human).

I can get fascinated with that.

I can even thank them for bringing me something to do The Work on.

Another approach to this statement is to ask question 3 again, “What happens when you believe that thought?” When I think about feeling like that in the future, I feel disgruntled, unwelcoming, armored.

I can not only let that thought drop me, I can embrace that possible future! It’s one of many!

Does anyone’s future hold only that which they want? Probably not. So get ready. Shit happens. I am willing to experience conflict, to feel pain and suffering, to be confused, even to be mortal and to die.

I am going to do those things anyway, so I might as well be willing.

I can even look forward to doing these things with as much serenity, acceptance, wisdom, and equanimity as I can muster.

~~~

I originally wrote this post two days ago, and then I lost it somewhere in the ether. So this is the second time I’ve written it. It was a struggle the first time, less so this time, and I got even more out of it by doing it again.