The three ignitions, plus some great questions

It’s been a good long while since I’ve posted anything here, and I have a free Monday morning, so here goes!

I just got back last night from a 3-day retreat on Biodynamics and Spiritual Embodiment taught by my colleague Christian Current. (If you don’t know already, I practice craniosacral biodynamics in Austin and Taos. Professional website: maryannreynolds.com.)

The setting was a private rural acreage 25 miles away from my home — with only the sounds of birds, wind, wind chimes, and running water from bubbling pools and fountains. No noise from traffic, sirens, planes — lovely. There were cabins, an Airstream, and a Winnebago for sleeping, and a talented young cook provided fresh healthful tasty food for the 12 of us. A pool and hot tub and gardens rounded out the amenities.

The retreat centered around the three energetic ignitions that occur in every living human before and right after birth: the conception ignition, the heart ignition, and the birth ignition.

Please note that the locations of these ignitions correspond to the upper, middle, and lower dantiens in Taoist energy physiology, to the three bony compartments of our bodies, the cranium, rib cage, and pelvis, and to three major energies we experience as humans, the energies of being, of relating, and of autonomy.

I learned a lot! Did you know that there’s a flash of light at conception, and that after the invited sperm embeds in the ovum, the sperm head dissolves and 20 minutes of complete stillness follow?

Maybe that’s why so many meditation guidelines recommend 20 minutes once or twice a day.

Did you know that the place where the sperm enters the egg becomes the third eye/ajna chakra/third ventricle of brain?

Did you know that blood is the first organ (it’s connective tissue) and it forms the heart? Not, as one might think, the container forms first and then fills.

Did you know that when the umbilical cord stops pulsing (on its own — it’s frequently severed too soon) and the first breath is taken, an ignition occurs that where the baby separates as an entity from its mother?

There was so much more. Some of it I’ve learned in previous trainings, but not in this much depth.

Oh, and it was full of great questions:

  • Who am I?
  • What do I want? What makes me happy?
  • What power(s) do I wield? What effects do I see I make in the world or myself?

I wanted to find the clearest truth possible in each of my answers:

  • I am loving awareness, which is always present as a baseline.
  • What I want and what makes me happy are the same: fulfillment.
  • My greatest power is choice.

How would you answer these questions?

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What people are saying after Zero Balancing

So far in 2016, I’ve done 96 Zero Balancing sessions ranging from 15 to 45 minutes in length. Most were about 30 minutes.

Help me make at least 100 in 2016! [I made my goal!]

The part I love most about giving my clients a Zero Balancing session comes after the fully-clothed bodywork has concluded, when the receiver slowly moves from supine on my massage table to sidelying to seated to standing, taking a pause after each movement, and finally takes a few steps around my office.

I ask, “What are you noticing?” Continue reading

In remembrance of Gabrielle Roth: freedom is our holy work

One of the significant teachers in my life died yesterday, and I’ve struggled with writing about it. I find myself getting too heady, and yet this loss is actually so profound that when I took a nap yesterday, I dreamed I was balancing upside down on my head on a dance floor, surrounded by lively, active children.

When I woke, I could feel the pressure on the crown of my head.

Headstand is definitely about changing perspective.

I stumbled into ecstatic dance 18 years ago, first encountering the 5 rhythms of Gabrielle Roth and Sweat Your Prayers after I left church as something I could no longer take part in with integrity.

I found a tribe, a practice, and a way of experiencing myself and the world as energy.

I’m not sure, but I suspect that the latter is the change in perspective that I’m integrating with this shock of loss and review of Gabrielle’s influence on my life, that it’s all just energy all the time, and it’s always changing, always dancing. The best I can ever do is to be centered, grounded, embodied, and ready to meet it. What’s solid is awareness.

I’ve had issues and struggles at times with that tribe, practice, and worldview, and they have deeply shaped me. I keep coming back.

Here’s what ecstatic dance is to me: being free, feeling joy, being embodied, clearing, cleansing, breathing, sweating, extending myself, being aware, taking care of my body, pushing to my edge and beyond, being in the moment, sharing, delighting, inquiring, discovering, connecting, having compassion, being inspired, seeing, allowing, playing, surrendering, breaking myself open, feeling what comes up, being danced, letting go, grieving, dancing with other versions of me, dancing with the entire room including the space, letting life and everything flow through me, being totally and completely alive, being fully present, blowing all the blocks out of my energy channels.

I feel so grateful to have found this and that I am able to do this.

Thank you, Gabrielle Roth, for your life’s work. Thank you, dancing tribe.

Here’s Gabrielle in her own words.

I became a mapmaker for others to follow, but not in my footsteps, in their own. Many of us are looking for a beat, something solid and rooted where we can take refuge and begin to explore the fluidity of being alive, to investigate why we often feel stuck, numb, spaced-out, tense, inert, and unable to stand up or sit down or unscramble the screens that reflect our collective insanity.

The question I ask myself and everyone else is, “Do you have the discipline to be a free spirit?” Can we be free of all that binds and bends us into a shape of consciousness that has nothing to do with who we are from moment to moment, from breath to breath?

Dance is the fastest, most direct route to the truth — not some big truth that belongs to everybody, but the get down and personal kind, the what’s-happening-in-me-right-now kind of truth. We dance to reclaim our brilliant ability to disappear in something bigger, something safe, a space without a critic or a judge or an analyst.